Friday, May 1, 2020

Review of "Get Buchanan!" by Jonas Ward


Review of

Get Buchanan! by Jonas Ward


Five out of five stars

 While this element of the Buchanan series has many of the standard features of the others, it closes on an interesting and unusual note. At least for Buchanan. Years ago, Buchanan had known a rancher, his wife and infant son. The rancher is now dead, the son returned from school back east and the widow now a ruthless woman. The son injured his leg in an accident when he was young and when he returned after being educated, he possessed what his mother considered unusual ideas that were worthless in the west.

 The mother has ruthlessly gained control of most of the county, from the businesses in town to the sheriff that now loves the bottle more than he loves the law. The son has gone semi-outlaw, stealing from his mother, and giving much of their gains to the poor. This family feud has now reached the point where she is hiring guns and wants her son to end his escapades, even if it means he is killed.

 Buchanan comes into town and the mother tries to recruit him to hunt down her son. He refuses and one thing leads to another with Buchanan joining forces with the son. Polly Pease is the daughter of the sheriff and the son considers her a girlfriend, but she has other ideas. She clearly has designs on Buchanan and she acts like his kind of woman. She rides armed with them against the mother’s forces and even Buchanan’s horse likes her. The closing hints at possibilities between Buchanan and Polly.

 This is a great story in the Buchanan tradition, he always tries to avoid killing, but is ruthlessly efficient when he considers it necessary. He shoots only to wound many times and once again manages to be on the winning side despite great odds against.

Thursday, April 30, 2020

Review of "The Long Patrol," episode 5 of the Battlestar Galactica original series


Review of

The Long Patrol, episode 5 of the Battlestar Galactica original series


Three out of five stars

Weak tries at unnecessary humor

 The story opens with the newly reopened Rising Star, a space equivalent of a luxury dining car, hosting Starbuck on a dinner date. He volunteered to go on a solo deep patrol and as a consequence was put near first on the list of patrons. Since Athena was scheduled to work, he made a dinner date with Cassiopeia. However, when Athena is able to cut short her control room duty, both women are there at the same time. In some sense, he is saved by an urgent call to return to the Galactica. This is the first try at humor.

 He is flying a modified Viper that is faster than anything else but has no laser generators. His mission is to examine a cluster of planetoids, looking for life and evidence of Cylon penetration. The Viper has a new computer system called C.O.R.A. that is capable of interacting with Starbuck and flying the ship. It has a seductive human female voice, and this begins a human-machine flirtation sequence that is the second attempt at humor.

 Starbuck discovers a penal colony where the prisoners make the adult beverage ambrosia and have for generations. Children of criminals are automatically incarcerated with their parents. Children of the enforcers (jailers) also become enforcers. Starbuck upsets this pattern amidst an attack by a Cylon patrol. The patrol is defeated but there is a catastrophic loss of high quality ambrosia.

 The two attempts at humor are weak attempts and were largely unnecessary. It is logical that there would be isolated, small human settlements that the Galactica convoy would encounter. They would be at risk of a Cylon attack and could provide the Galactica convoy with desperately needed resources. With so much room within that area, there is no need to introduce a dining three-way or a seductive computer.

Review of "Who’s In Charge Here, Beetle Bailey," by Mort Walker


Review of

Who’s In Charge Here, Beetle Bailey, by Mort Walker ISBN 0448169320


Four out of five stars

 Beetle Bailey was a comic strip that appeared in the local paper when I was a child and I never missed it. The characters from Beetle Bailey through Sergeant Snorkel and the buxom Miss Buxley to the idiot Zero were all exaggerated to make the point. The strip also included the black Lieutenant Flap, he made his first appearance in 1971 and is presented as just another officer.

 This is demonstrated on the fifth page. The camp chaplain asks Beetle, “Do the men feel differently about Lt. Flap because he’s black?” Beetle responds, “Heck no, chaplain. We think he’s just as big a pain as any other officer.” In other words, rank overpowers skin color. A powerful message for the early seventies.

 This book is a joyous look back at one of the best parodies of army life. Fans of the television show M*A*S*H will recognize many of the basic points of humor.

Review of "Boltwood of Yale," by Gilbert Patten


Review of

Boltwood of Yale, by Gilbert Patten


Four out of five stars

 Copyrighted in 1914, this book is a look back at the style of books written for young men at that time. Roger Boltwood is the son of a very wealthy man and he is about to turn 21. Up to this point his father has supported him and bailed him out of his misadventures that included getting in automobile accidents. His father has reached the point where he has had enough and tells him that as of his twenty-first birthday, he will no longer be supporting him financially.

 Roger is planning on going back to Yale in the fall, even though he had an extremely poor academic performance the past year and did not formally move to the next academic level. Instead of pouting, Roger decides that he is going to make it on his own and plans accordingly. He is fortunate to win an auto race that gives him enough money to register for fall classes.

 Once back on campus in the cheaper dorms with a roommate, Roger applies himself and is convinced to try out for the football team. At first, he is a lower level scrub, but through injuries to those ahead of him and diligent work, he reaches the point where he gets into the lineup on occasion. He has to deal with his former friends, some enemies and a dishonest roommate, but at the end he gets into the big game against Harvard.

 While the story itself is not that exciting, it is interesting due to the style of the writing. Some of the words are outdated in usage, for example a man is referred to as a “gay fellow.” I enjoyed it as a look back in time, something that all people should do as long as they are willing to accept words and phrases that some now find objectionable.

Wednesday, April 29, 2020

Review of "The Lost Warrior," season 1 episode 4 of Battlestar Galactica


Review of

The Lost Warrior, season 1 episode 4 of Battlestar Galactica


Four out of five stars

Old genre slightly recast

 This episode uses one of the most used scenarios in American entertainment. The western drama was once a staple of television, with the most popular being Gunsmoke that ran for 20 years. Most were based on the hero willing to stand in the street and engage in a gun duel with the evil entity. Battlestar Galactica was science fiction with ships in space and robotic aliens, but this episode is essentially a remake of many previous events in the western genre.

Captain Apollo is on a solo patrol when he encounters a group of Cylons. He leads them away from the fleet until he runs out of fuel and crash lands on the planet Equellus. It is populated by humans that farm, raise livestock and dress like people in the old west. Most men also carry firearms that fire projectiles and the dueling code is still active. In other words, two men can engage in a fast draw.

 The local village has been taken over by a man called La Certa, his strength comes from a Cylon called Red Eye that accepts his commands. Since Red Eye is impervious to kinetic weapons, they must comply when La Certa demands tribute in livestock and crops. Once Apollo understands that Red Eye is isolated and not part of a Cylon contingent, he is free to challenge him in a classic western duel.

 Apollo is very much the stranger that comes into town and becomes the hero, rescuing the village from the tyrant before departing. Seen many times before without the robot and laser pistols, it is an old story that works fairly well.

Review of "Faberge Treasures Jigsaw Puzzle Book"


Review of

Faberge Treasures Jigsaw Puzzle Book, ISBN 0810911868


Five out of five stars

Exquisite artwork in jigsaw puzzles

 Decades ago, I had the privilege of touring the Hermitage Museum in what is now St. Petersburg. While there I am certain that I saw replicas or work created in the Faberge style and may have even seen one or two originals. Suffice to say that they were some of the most impressive works of art that you will ever see.

 This book contains images of eight of the works in the form of four small two-sided jigsaw puzzles. The puzzles themselves have only 12 pieces, so there is no real challenge to putting them together. Two pages are reserved for brief descriptions of the depicted works. An art book expressed as a puzzle book; this is an excellent gift for people that enjoy both.

Review of "Captain America: Civil War," DVD


Review of

Captain America: Civil War, DVD


Five out of five stars

Super friends battle over principle

 When superheroes battle their evil counterparts, there is almost always major collateral damage. It is a rare occasion when they meet in a remote area such as the Sahara Desert. These battles also often include the deaths or serious injury of innocent bystanders. Concerned about this, governments around the world have banded together under the United Nations banner to write a series of regulations governing the superhero group the Avengers.

 Captain America (Steve Rogers) is opposed to signing the new law while Iron Man (Tony Stark) is strongly in favor. This creates a major rift in the Avengers with the others being forced to take sides. At first the conflict is verbal only, but there is an incident where it breaks out into open conflict. Hence the term “Civil War.” It is superhero against superhero in a battel that shatters unity and leads to hostility and serious injury. Tony Stark is torn when he visits the penal facility where some of the Avengers are being held under special and very restrictive controls.

 The action is intense with a great deal of hand-to-hand fighting. It would seem unlikely that Captain American would stand a chance against the armored Iron Man, but he holds his own. Punches and other items are thrown, bodies fly and there is some literal blood drawn. The dialog is also very good, while there are a few instances where a cliché is dropped, they are very rare.

 Two high points of the dialog were very amusing. When Tony Stark is trying to convince Peter Parker (Spider-Man) to leave town and aid him in his task of rounding up the renegade Avengers his response is, “I can’t, I have homework.” The second is the cameo by legend Stan Lee. He plays a deliveryman with a package for “Tony Stank.”