Monday, May 4, 2020

Review of "The Counter-clock Incident," episode 6 of season 2 of Star Trek the animated series


Review of

The Counter-clock Incident, episode 6 of season 2 of Star Trek the animated series


Three out of five stars

Use of unreasonable gimmicks

When an alien vessel passes them going at over warp 30, the Enterprise crew realizes that it is heading directly for a supernova. After communication gains nothing, the Enterprise locks a tractor beam onto the ship. While the connection slows the ship down, it does nothing but drag the Enterprise into the supernova at an unreasonable warp factor.

 Once they pass through the exploded star, the crew of the Enterprise realizes that they have entered an alternate universe where time flows backward. People are born old and then regress to infancy when they die. This has the same effect on the Enterprise crew, as they begin the de-age. Fortunately, the aged Commodore Robert April, the first commander of the Enterprise and his wife are aboard the Enterprise.

 April and his wife get younger, but they retain their abilities to pilot the ship when all others return to infancy and no longer have the knowledge to carry out their duties. They bring the Enterprise back to their home universe and are able to restore them to their normal age using the transporter.

 The idea of time traveling backwards in this manner has been used in other contexts, but it always seems to take the appearance of a gimmick. The complexity of someone growing younger and smaller, with the need to shed mass, makes it absurd. Finally, the crew is restored using the stored transporter patterns, in this case the transporter would have to add significant mass, which would also be an exceedingly difficult operation. The transporters are designed to precisely duplicate mass, not add or subtract to it.

Sunday, May 3, 2020

Review of "Captain America: The Winter Soldier," DVD version


Review of

Captain America: The Winter Soldier, DVD version


Five out of five stars

S.H.I.E.L.D is a subsidiary of Hydra

 The world is rapidly changing, but the deepest changes are well hidden. S.H.I.E.L.D, the organization dedicated to protecting the United States and the world from the greatest of criminal threats, is compromised by Hydra, the most powerful criminal and terrorist organization in the world. In the Marvel universe, Hydra is the main opposition group to S.H.I.E.L.D.

 Nick Fury, the leader of S.H.I.E.L.D, becomes suspicious of factions in his organization and he engages in some questionable actions. One of the main ones involves the hijacking of a S.H.I.E.L.D ship, and Captain America is one of the operatives sent to regain control of it. While on the ship, fellow agent Natasha Romanoff takes the time to download some information, making Cap suspicious regarding the operation and he confronts Fury.

 With extremely high level Hydra agents within S.H.I.E.L.D, it is not long before Cap and Natasha become fugitives from S.H.I.E.L.D and Fury is apparently assassinated. Hydra has recruited a mercenary known as the Winter Soldier, a man captured by the Soviets and turned into an extremely deadly and efficient force.

 S.H.I.E.L.D is about to deploy a system of three helicarriers that will be aligned with satellites to target people considered threats. Hydra has developed an algorithm that identifies all people considered threats to itself and the plan is to simply have the system kill them. It becomes a battle between S.H.I.E.L.D factions, with Cap, the Falcon and Natasha fighting desperately to reprogram the system so that it will not engage in mass killings.

 The battles are intense, there is a lot of gun and missile play, but the most significant is the hand-to-hand fighting between Cap and Hydra operatives including the Winter Soldier. It is extremely well choreographed as the opponents knock each other around a great deal. The action is intense, yet there are moments of human passion and compassion, where the heroes demonstrate that despite their considerable strengths, they remain human to the core.


Review of "The Blood Line," season 2 episode 15 of Bonanza


Review of

The Blood Line, season 2 episode 15 of Bonanza


Four out of five stars

Even a justified killing can be problematic

 When a man goes berserk in the local store and tries to kill Ben Cartwright, he draws and kills the man. Even though he knows that he had no choice, Ben feels deep remorse and wishes that there were something else he could have done.

Shortly after the shooting, 16-year-old Todd Grayson arrives by stage from Boston in order to be reunited with his dead father. Anguished and full of hero worship for his father, Todd can think of nothing but killing Ben in revenge. Ben takes responsibility for Todd, even taking him to the Ponderosa and giving him room and board.

 A gunman traveled the stage with Todd and befriended him. Seeing an opportunity to be paid well for killing Ben, the gunman talks the girlfriend of Todd’s father into paying him. It is only when the girlfriend finally comes clean with Todd that he realizes that his father was not the man he thought he was. It is at this point that Todd drops his vendetta.

 The essential goodness of Ben Cartwright is on display here. Even though he knows Todd is determined to kill him, be reaches out to Todd and does everything he can to try to make amends for an act not his fault.

Review of "Badge Without Honor," episode 3 of season 2 of Bonanza


Review of

Badge Without Honor, episode 3 of season 2 of Bonanza


Five out of five stars

A wolf in lawman’s clothing

 When two men attempt to gun down an unsuspecting Adam Cartwright, a man claiming to be a deputy U. S. Marshall kills them. He is a charming man, deft with words and a quality swordsman. A woman close to the Cartwright’s and considered equivalent to a sister to the Cartwright boys is married to a man that has a dark and unknown past.

 The Marshall states that he is there to escort the husband back to San Francisco in order to testify at a trial. However, uncertainties are developed as there are some inconsistencies in his story. Adam decides to accompany the two men to San Francisco, a development that the Marshall does not like. He is in fact a hired killer whose mission is to kill the husband. This forces am armed confrontation between Adam and the Marshall.

 This is an excellent episode, the supposed Marshall is many things, even a ladies man as he charms the woman, taking what would be scandalous liberties with her in the days being depicted.

Saturday, May 2, 2020

Review of "The Family Circus Treasury," by Bil Keane


Review of

The Family Circus Treasury, by Bil Keane ISBN 0836207351


Five out of five stars

 The highest of family comic strips

 The Family Circus has long been the power strip for the nuclear family of two parents, four young children and three pets. The artist Bil Keane openly states that what appears in this strip is often just a slightly modified rendition of what has taken place in his life with his children and pets.

 The theme of the daily strip is generally confined to a single image, although there are a few with two or more related images. They revolve around the simple events in the lives of parents and children, from getting them off to school to family vacations to visits back and forth with grandparents. The father in this case is the only one working outside the home, generally speaking the mother can be considered the traditional, albeit now somewhat archaic homemaker. When the father is shown doing housework he is often depicted as being of marginal competence.

 Wholesome in the old sense is the best word to describe this strip. While it is good, it is unfortunate that it is in so many ways outdated.

Review of "Tom Swift and His Ocean Airport," by Victor Appleton


Review of

Tom Swift and His Ocean Airport, by Victor Appleton


Five out of five stars

 The first  books in the original Tom Swift series were published in the decade from 1910 to 1919, 22 books in all. It was a time of significant improvements in the motor car, airplane, and ways to deal out mass death in battle. Once World War I was over, which as far as the series is concerned, 1920 and later, the improvements were incorporated into the books and the subject matter went away from the tools of war. This book was first published in 1934, so it can be considered a member of the 2.0 series of Tom Swift books.

 The premise is a simple one, as the concept of trans-Atlantic air travel is being developed, there is a perceived need for refueling or emergency landing stops. In the northern Atlantic Greenland, Iceland and Ireland are not that far apart, so the planes of that time did not need the capability to fly long distances non-stop.

 However, in the tropical areas of the Atlantic, there is almost nothing between the Atlantic seaboard of the United States and the western islands of Portugal and Spain. Therefore, Tom Swift develops the concept of a floating landing strip in the middle of the Atlantic. It is composed of a series of high-buoyancy logs that are snapped together by magnets, so it is modular in structure. There is a great deal of elasticity built into the system so it can deal with the significant waves of Atlantic storms.

 The first military aircraft carriers were designed and built in the mid 1920’s, so the proof of concept was present when this book was written. Of course, the landing pad for commercial airliners would have to be much larger than the deck of a carrier. That is an implicit premise of this story.

 This is a Tom Swift book where the supporting characters are there, but other than Ned, only just. The focus is on the creation of the airport and the supposed need for an emergency landing strip. The self-assembling modular nature of the landing platform is a fascinating aspect that predates later self-assembling structures. This is a good book that I found to be a page-turner.

Friday, May 1, 2020

Review of "Get Buchanan!" by Jonas Ward


Review of

Get Buchanan! by Jonas Ward


Five out of five stars

 While this element of the Buchanan series has many of the standard features of the others, it closes on an interesting and unusual note. At least for Buchanan. Years ago, Buchanan had known a rancher, his wife and infant son. The rancher is now dead, the son returned from school back east and the widow now a ruthless woman. The son injured his leg in an accident when he was young and when he returned after being educated, he possessed what his mother considered unusual ideas that were worthless in the west.

 The mother has ruthlessly gained control of most of the county, from the businesses in town to the sheriff that now loves the bottle more than he loves the law. The son has gone semi-outlaw, stealing from his mother, and giving much of their gains to the poor. This family feud has now reached the point where she is hiring guns and wants her son to end his escapades, even if it means he is killed.

 Buchanan comes into town and the mother tries to recruit him to hunt down her son. He refuses and one thing leads to another with Buchanan joining forces with the son. Polly Pease is the daughter of the sheriff and the son considers her a girlfriend, but she has other ideas. She clearly has designs on Buchanan and she acts like his kind of woman. She rides armed with them against the mother’s forces and even Buchanan’s horse likes her. The closing hints at possibilities between Buchanan and Polly.

 This is a great story in the Buchanan tradition, he always tries to avoid killing, but is ruthlessly efficient when he considers it necessary. He shoots only to wound many times and once again manages to be on the winning side despite great odds against.